Echo Park drawn from studio window |
As a young architecture student my older cousin and mentor
architect Bill Clark introduced me to Theodore Kautzky’s Pencil Broadsides. This introduced me to drawing with a chisel
point and was an interesting approach, but I was ore attracted to the fluidity
of draftsman like Rico Lebrun and others.
These two drawings were done while at Cal in the mid-1960s using chisel
points and the other by softening the edges with an eraser.
I seldom draw in pencil today seeming to prefer either
rolling ball or technical type pens or traditional dip pens and ink. This is probably because I can get blacker
blacks with ink and I love pushing the value range from the whitest whites to
the darkest blacks. Nevertheless I
sometimes do quick sketches using a thick pencil combined with color markers or
watercolor washes. Here the texture of
the graphite can provide appealing contrast with the smooth color wash beneath
as seen in these two flower studies.
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